| 
				 
      
  
				Explore the unmatched 
				grandeur of the 1904 St. Louis World's Fair, the greatest and 
				grandest ever held, spanning 1261 acres in Forest Park. 
				
				  
				  
				The St. Louis World's Fair 
  in 1904 was the greatest and the grandest there has ever been. To put this in 
  perspective the Chicago World's Fair in 1891 took a little over 600 acres of 
  flatlands to house it whereas the St Louis Fair spilled out over 1271 acres 
  of former wilderness, an area known then as it is now, as Forest Park. 
		 
  
				By 1904 the United States was rapidly becoming 
  the nation of destiny that would soon lay claim to its industrial, scientific, 
  and moral leadership over the rest of the planet. So on opening day April 30, 
  1904, Louisiana Purchase Exposition Company President, David R. Francis, no 
  doubt expressed the sentiment of a whole nation when he announced to the 200,000 
  visitors who had showed up: "So thoroughly does it represent the world's 
  civilizations, that if all man's other works were by some unspeakable catastrophe 
  blotted out, the records here established by the assembled nations would afford 
  all necessary standards for the rebuilding of our civilization." 
  
				As the man in charge of building the enormous 
  spectacle and showcase, David Francis and his partners had to overcome an enormous 
  series of both man made and natural obstacles to the completion of the fairgrounds 
  from a group of privately owned and undeveloped wooded tracts to an unforgetable 
  site that would command the imagination of millions of fair goers. Just one 
  of the challenges was the rechanneling of the River Des Peres in the middle 
  of winter. This river meandered throughout the area the fair's large ornate 
  palaces were to occupy. Not only was it in the way, it was prone to flooding, 
  so a new channel was dug through a foot of frozen ground in the middle of winter 
  so the water could course through a new ditch sided with wood which its builders 
  covered with dirt for future fair growers to cross. Obstinate and often unscrupulous 
  land owners also stood in the way of the fair's architects who needed a lot 
  more than the 600 original acres for a fair of such magnitude that it could 
  later claim to be the biggest and best ever.  
  
				Historically the timing was perfect for an exposition 
  that would reflect a country's idealistic hopes for a much better world and 
  for a civilization that was approaching its zenith. Ten years later, 1914, would 
  bring in the most devastating war that had ever been fought-----the war to end 
  all wars. But this was ten years earlier. The Kaiser of Germany was closely 
  related to the Russian Tsar as was the royal family of England who also were 
  pals of the Archduke of Austria Hungary and his family. Back then these people 
  did a lot more than just visiting each other on their yachts. They married into 
  each other's families. All of this would change in World War I which saw the 
  complete dissolution of the Czars, the Kaisers, and the Hapsburg royal families. 
   
  
				In 1876 Custer and his men were massacred at 
  the Little Big Horn but by the end of the year the Sioux and Cheyenne were no 
  longer a threat to whites migrating westward. Three years later, Thomas Edison, 
  invented the incandescent electric lamp in 1879 just twenty-five years prior 
  to the World's Fair's grand opening. 
  
				Edison was an American, who later went on to 
  obtain patents for the phonograph and the motion picture projector. By 1904 
  the designers of the World's Fair gave center stage to Edison's invention. Festival 
  Hall, which at over 200 feet high, claimed to have a larger dome than St. Peter's 
  basilica in Rome, was transformed at night by thousands of lights that had been 
  arranged around its exterior and along the Cascades which pumped forty-five 
  thousand gallons of water a minute from in front of Festival Hall to the Grand 
  Basin. The celebration of electricity and its potential for changing the way 
  mankind would live in the twentieth century was further dramatized by the Palace 
  of Electricity and Machinery, a project over which Edison presided himself. 
   
  
				There was to be a division of Anthropology which 
  included the Philippine Reservation which occupied forty-seven acres now occupied 
  by the current campus of Fontbonne College. Traditional Philippine village structures 
  were built for display here. Other sections in this division had American plains 
  Indian men and women building lodges before the fairgoers, Belgian Congo tribesman, 
  and Ainu natives from the Japanese island of Hokkaido to name just a few. 
  
				I think the whole thing served to show a promise 
  of greatness that would be unfilfilled. Through being able to pump all those 
  thousands of gallons of water through the cascades, we were trying to show that 
  man could after all control the waters, and its lakes and oceans. Yet the unsinkable 
  Titanic would perish in 1912. Electricity would give us the means to enjoy lives 
  of unprecedented promise. The villages in the Anthropolgical area of the park 
  were to be evidence that mankind could get along together and that perhaps wars 
  would rapidly become a thing of the past. Yet just ten years later the nations 
  of the world would be lined up against each other to mow down millions with 
  their machine guns and artillery.  
  
				
				Back then nearly all of the huge palaces of 
  the fair were built of staff, a compound of plaster of Paris and fiber, being 
  built to withstand only eight months of use, which is how long the fair lasted. 
  These structures cost a half million or a little more to build which was a 
substantial 
  sum in those days. Only the 
   
  St Louis Art Museum, called then the Palace of Fine Arts, was built 
  to last. At a cost then of a million dollars, this enduring structure was hidden 
  from view behind Festival Hall, which dominated Art Hill in 1904.  
				 
  
				And when it was over, it was over. All the buildings 
  came down except for the Palace of Fine Arts. But the memories would last, memories 
  of a time when it was hoped that civilization would flourish and that wars would 
  become a thing of the past. World War I and its millions of dead would give 
  way to the generation of the twenties--a disillusioned no longer idealistic 
  generation and that would give way to World War II and its even more millions 
  of dead. Things would never be the same. 
				  
		There had never been a world's fair of this 
  magnitude before and there never would be since. The Saint Louis World's Fair 
  in 1904 was the greatest and the grandest there has ever been. To put this in 
  perspective the Chicago World's Fair in 1891 took a little over 600 acres of 
  flatlands to house it whereas the St Louis Fair spilled out over 1271 acres 
  of former wilderness, an area known then as it is now, as Forest Park. 
		 
  
				By 1904 the United States was rapidly becoming 
  the nation of destiny that would soon lay claim to its industrial, scientific, 
  and moral leadership over the rest of the planet. So on opening day April 30, 
  1904, Louisiana Purchase Exposition Company President, David R. Francis, no 
  doubt expressed the sentiment of a whole nation when he announced to the 200,000 
  visitors who had showed up: "So thoroughly does it represent the world's 
  civilizations, that if all man's other works were by some unspeakable catastrophe 
  blotted out, the records here established by the assembled nations would afford 
  all necessary standards for the rebuilding of our civilization." 
  
				As the man in charge of building the enormous 
  spectacle and showcase, David Francis and his partners had to overcome an enormous 
  series of both man made and natural obstacles to the completion of the fairgrounds 
  from a group of privately owned and undeveloped wooded tracts to an unforgetable 
  site that would command the imagination of millions of fair goers. Just one 
  of the challenges was the rechanneling of the River Des Peres in the middle 
  of winter. This river meandered throughout the area the fair's large ornate 
  palaces were to occupy. Not only was it in the way, it was prone to flooding, 
  so a new channel was dug through a foot of frozen ground in the middle of winter 
  so the water could course through a new ditch sided with wood which its builders 
  covered with dirt for future fair growers to cross. Obstinate and often unscrupulous 
  land owners also stood in the way of the fair's architects who needed a lot 
  more than the 600 original acres for a fair of such magnitude that it could 
  later claim to be the biggest and best ever.  
  
				Historically the timing was perfect for an exposition 
  that would reflect a country's idealistic hopes for a much better world and 
  for a civilization that was approaching its zenith. Ten years later, 1914, would 
  bring in the most devastating war that had ever been fought-----the war to end 
  all wars. But this was ten years earlier. The Kaiser of Germany was closely 
  related to the Russian Tsar as was the royal family of England who also were 
  pals of the Archduke of Austria Hungary and his family. Back then these people 
  did a lot more than just visiting each other on their yachts. They married into 
  each other's families. All of this would change in World War I which saw the 
  complete dissolution of the Czars, the Kaisers, and the Hapsburg royal families. 
   
  
				In 1876 Custer and his men were massacred at 
  the Little Big Horn but by the end of the year the Sioux and Cheyenne were no 
  longer a threat to whites migrating westward. Three years later, Thomas Edison, 
  invented the incandescent electric lamp in 1879 just twenty-five years prior 
  to the World's Fair's grand opening. 
  
				Edison was an American, who later went on to 
  obtain patents for the phonograph and the motion picture projector. By 1904 
  the designers of the World's Fair gave center stage to Edison's invention. Festival 
  Hall, which at over 200 feet high, claimed to have a larger dome than St. Peter's 
  basilica in Rome, was transformed at night by thousands of lights that had been 
  arranged around its exterior and along the Cascades which pumped forty-five 
  thousand gallons of water a minute from in front of Festival Hall to the Grand 
  Basin. The celebration of electricity and its potential for changing the way 
  mankind would live in the twentieth century was further dramatized by the Palace 
  of Electricity and Machinery, a project over which Edison presided himself. 
   
  
				There was to be a division of Anthropology which 
  included the Philippine Reservation which occupied forty-seven acres now occupied 
  by the current campus of Fontbonne College. Traditional Philippine village structures 
  were built for display here. Other sections in this division had American plains 
  Indian men and women building lodges before the fairgoers, Belgian Congo tribesman, 
  and Ainu natives from the Japanese island of Hokkaido to name just a few. 
  
				I think the whole thing served to show a promise 
  of greatness that would be unfilfilled. Through being able to pump all those 
  thousands of gallons of water through the cascades, we were trying to show that 
  man could after all control the waters, and its lakes and oceans. Yet the unsinkable 
  Titanic would perish in 1912. Electricity would give us the means to enjoy lives 
  of unprecedented promise. The villages in the Anthropolgical area of the park 
  were to be evidence that mankind could get along together and that perhaps wars 
  would rapidly become a thing of the past. Yet just ten years later the nations 
  of the world would be lined up against each other to mow down millions with 
  their machine guns and artillery.  
  
				
				Back then nearly all of the huge palaces of 
  the fair were built of staff, a compound of plaster of Paris and fiber, being 
  built to withstand only eight months of use, which is how long the fair lasted. 
  These structures cost a half million or a little more to build which was a 
substantial 
  sum in those days. Only the 
   
  St Louis Art Museum, called then the Palace of Fine Arts, was built 
  to last. At a cost then of a million dollars, this enduring structure was hidden 
  from view behind Festival Hall, which dominated Art Hill in 1904.  
				 
  
				And when it was over, it was over. All the buildings 
  came down except for the Palace of Fine Arts. But the memories would last, memories 
  of a time when it was hoped that civilization would flourish and that wars would 
  become a thing of the past. World War I and its millions of dead would give 
  way to the generation of the twenties--a disillusioned no longer idealistic 
  generation and that would give way to World War II and its even more millions 
  of dead. Things would never be the same.  
				
				 |